In art what is aesthetics in philosophy

Davies, D.

The Concept of the Aesthetic

It is necessary to at least touch on some of the problems falling under the concerns just enumerated. A Guide through the Subject. Manns, J.

in art what is aesthetics in philosophy

Moreover, it is of the greatest philosophical importance to attend not only to the resemblances between the art forms but also to their differences. But he wanted to limit sport to this, and insisted it had no relevance to ethics. Clyde R. Each type has its own unique expression and its own principles for aesthetic judgement. Just what kind of distance is envisaged? It is presumptuous to assume that a general aesthetics can interpret all art, at all times, everywhere.


Francis Hutcheson asserts that mathematical and scientific theorems are objects of taste Hutcheson 1725, 36—41.

On the one hand, they feel pleasure in some object, and this pleasure is immediate, not based, according to Kant, in any conceptualization or in any inquiry into cause, purpose, or constitution. So although a work may be made worse on account of its comical elements, the simple claim that a work is good because comical is intelligible in a way that the simple claims that a work is good because yellow, or because it lasts twelve minutes, or because it contains many puns, are not.

Might the value of art for the artist be quite different than its value for the audience? One may usefully think of the field of philosophical aesthetics as having three foci, through each of which it might be adequately conceived. When I describe something as beautiful, I do not mean merely that it pleases me: It emerged during the 18th century in Europe and developed in England as philosophers grouped together such fields as poetry, sculpture, music, and dance.

in art what is aesthetics in philosophy

Artistic formalism has been taken to follow from both the immediacy and the disinterest theses Binkley 1970, 266—267; Carroll 2001, 20—40. Carlson, A. A feminist aesthetics cannot simply add theories to the old aesthetics.

Whether such theories can cast light on the mysterious unity between the intellectual and the sensory that we observe in aesthetic experience remains doubtful. Citing articles via Google Scholar. Art can only be semantic, vernacular, local. It is a plausible tenet of philosophical psychology that emotions are founded on beliefs: Tolstoi, L.

in art what is aesthetics in philosophy

Art and Illusion.