Beat Two: Don't Miss How to write compelling basslines by working around root notes. And he does it without ever interrupting the groove or getting in the way of the vocal.
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Make sure your note-range choices are right for the situation. The final note suggests a move to D7, but you could easily change the vital approach notes. Tortex or Delrin, depending on the manufacturer is also sturdier than celluloid and less likely to break, and the thick, unbendable gauge will allow you to get more volume and power out of those thick strings, with less effort. By contrast, FIGURE 2 illustrates a jazz-style walking bass line played over these same two chords for which chromatic passing tones are liberally employed.
Although the changes in bars 3-4 are quite quick, it simply uses root then semitone above approach. A leading tone leads from one chord to the next. Guitarists who are new to playing bass will often double the guitar part one octave lower. Autumn Leaves is pretty straightforward in that we have two main tonal centers, one in Bb major and then another in the relative minor key of G minor.
Fly Me To The Moon. Using octave root notes is often an excellent way to do this, the low octave corresponding to the kick drum and the high octave hitting with the snare, typically on beats two and four, which are also known as the backbeats. Bar 1 follows the root with a major 3rd, followed by chromatic steps up to the chord change.
This tutorial takes a look at five different approaches to playing walking basslines in a 12-bar blues progression. As a guitarist, you employ all sorts of techniques to convey your musical statements, and you can do that on bass, too.